Photo Friday: "Marsh in Late Spring"

I remind all interested that many of my photographs are available at a daily photo blog, which I began at the start of the year. I invite everyone to visit the blog and to click on the photographs to examine them in high resolution or to magnify them for a detailed look.

Al Maginnes: "Old Records"

The VPR Poem of the Week is Al Maginnes�s "Old Records," which appears in the Spring/Summer 2012 issue (Volume XIII, Number 2) of Valparaiso Poetry Review.

Al Maginnes's latest collections are Ghost Alphabet (White Pine Press, 2008), winner of the White Pine Poetry Prize, and two chapbooks published in 2010, Between States (Maine Street Rag Press) and Greatest Hits 1987-2010 (Pudding House Publications). He has published widely in journals, most recently in Terminus, Harpur Palate, Grist, Brilliant Corners, Baltimore Review, Verdad, Hampden Sydney Poetry Review, and elsewhere. Maginnes lives in Raleigh, North Carolina, and he teaches at Wake Technical Community College. 

Tuesday of each week One Poet�s Notes highlights an excellent work by a poet selected from the issues of Valparaiso Poetry Review, except when other posts with news or updates preempt the usual appearance of this item, with the recommendation that readers revisit it.

Photo Friday: "Lake Michigan Coast in May"

I remind all interested that many of my photographs are available at a daily photo blog, which I began at the start of the year. I invite everyone to visit the blog and to click on the photographs to examine them in high resolution or to magnify them for a detailed look.

Spacers

On May 10, I trekked downtown to the Rayburn Building  to witness Allergy & Asthma Day Capitol Hill 2012, sponsored by AANMA (Allergy and Asthma Network Mothers of Asthmatics). It was inspiring to see a room crowded to overflowing with doctors, concerned parents, and congressional staff, all talking through the FDA's proposed changes to how allergy medications are prescribed. To summarize the dilemma at hand: kiosk consultations and over-the-counter distribution of such medications as EpiPens would ease access for some, but could undermine the critical infrastructure of diagnosis and advice tailored to the patient.

I met Charles G. Thiel, who invented the metered dose inhaler in 1956, and the four amazing girls in the photo above. They were the under-18 finalists for this year's "Ultimate Inhaler Contest," in which the AANMA invited inhaler designs that were more attractive, efficient, and fun. My favorite was the "Unisaur," an "Inhaler/Holding Chamber Combo" designed by twelve-year-old Rachael Blaine, of Manchester, PA. (She says unisaur; I say narwhal.) Holding chambers, also caused spacers, were introduced to inhaler usage in the early '90s. Until then kids like me tended to jam the inhaler tightly in our mouths, depressing the spray in a way that coated the back of the throat rather than dispersing and reaching the airway it was designed to help. What can I say? That silver taste was comforting, especially when in the grip of an asthma attack. With a spacer, the metered dose has a chance to aerate post-expulsion and be breathed in, rather than pseudo-swallowed. 

This year's theme was celebrating "Innovations in Technology," so AANMA had set up a table display of outdated medical treatments for asthma and allergies. Dr. R. Schiffman's Asthmador Cigarettes, "to relieve the distress of bronchial asthmatic paroxysms." (Active ingredients: Stramonium and Belladonna.) Clima-maske, anyone? It all seems so surreal and awkward as to be a joke. 


But then, under glass, I saw it: first spacer I'd ever been given. A baby blue, collapsible canister that predates today's rigid aerochambers. I'd hated that thing. O how it wheezed like an accordion. O how spit crusted around its poorly-designed  mouthpiece.


If you'd have told me in MFA days that my career as an author would bring me down to Capitol Hill on a Wednesday morning, or have me posing for photos with kids, I'd have thought you were crazy. I never expected this part of my identity--the perils and hoop-jumping of asthma and allergy--to be on the pages of a book. For that matter, I never expected to be  memoirist; I thought I'd always have that veil of poetry, no matter how flimsy and artificial, protecting me from intrusive interpretations of my work. 


Now my creative life and my personal life are one. On a bad day, that leaves me feeling exposed, or in over my head--asked to counsel beyond my qualifications. On a good day I make incredible, insightful connections with people who are so excited to see sympathetic experiences on the page. And I find myself wondering where to go from here. These conversations, these meetings, these days of advocacy: they change lives. Including mine. But I have to let it all aerate before I breathe it in, and before I decide what the next book will be. This summer is my spacer. 

Eleanor Swanson: "Everglades"

The VPR Poem of the Week is Eleanor Swanson�s "Everglades," which appeared in the Spring/Summer 2011 issue (Volume XII, Number 2) of Valparaiso Poetry Review.

Eleanor Swanson's recent poetry collection is Trembling in the Bones (Ghost Road Press, 2006). Her journal publications include Missouri Review, Black Warrior Review, High Plains Literary Review, Denver Quarterly, and Southern Review.   Swanson has received the A. E. Coppard Prize for Fiction, a Fiction Fellowship from the National Endowment for the Arts, and a Colorado Council on the Arts Fellowship in Literature (fiction). Her  first poetry collection, A Thousand Bonds: Marie Curie and the Discovery of Radium, won the Ruth Stevens Manuscript Competition (NFPS Press) and was a finalist for the 2004 Colorado Book Award.  She lives in Denver and is a professor of English at Regis University.

Tuesday of each week One Poet�s Notes highlights an excellent work by a poet selected from the issues of Valparaiso Poetry Review, except when other posts with news or updates preempt the usual appearance of this item, with the recommendation that readers revisit it.

Larry D. Thomas: "Signs"

The VPR Poem of the Week is Larry D. Thomas�s "Signs," which appears in the Spring/Summer 2012 issue (Volume XIII, Number 2) of Valparaiso Poetry Review.

Larry D. Thomas, a member of the Texas Institute of Letters, was the 2008 Texas Poet Laureate.  He has published eighteen collections of poems, most recently A Murder of Crows (Virtual Artists Collective, 2011).  His New and Selected Poems was long-listed for the National Book Award. 

Tuesday of each week One Poet�s Notes highlights an excellent work by a poet selected from the issues of Valparaiso Poetry Review, except when other posts with news or updates preempt the usual appearance of this item, with the recommendation that readers revisit it.

Photo Friday: "Brook After Spring Shower"

I remind all interested that many of my photographs are available at a daily photo blog, which I began at the start of the year. I invite everyone to visit the blog and to click on the photographs to examine them in high resolution or to magnify them for a detailed look.

Extremes

Eleven days. Remember that. All in eleven days. 

It began with a drive from DC to Brooklyn, a reunion with my TRIP CITY crew in the Hang Dai office next door to BookCourt, where I'd be reading that evening to launch the paperback of Don't Kill the Birthday Girl. Realization that the launch needed drinks-->frantic runaround to secure wine and cups-->Thai dinner with four writer friends (DC & NYC worlds collide)-->my reading-->a perfectly balanced scotch cocktail with another writer friend (from VCCA days)-->Rev Jen's Anti-Poetry Slam at the Bowery, where I saw not one but two naked men in the name of art. Unattractively naked men. Drove to my uncle's place up on West 85th, my first time ever driving in Manhattan, and pondered getting two suitcases up to a five-story walk-up. Chose to nap for an hour in the car instead. Woke up, got inside, set the alarm to move the car to a legal parking place at 7 AM.

Another day, another reading in Brooklyn: a launch for the gorgeous redesign of AMERICAN POET. But first a meeting at the New York Times offices (outside, playing it cool // inside, what?!? this building is so fancy! will I get to write for them? maybe?? pleasepleaseplease), sushi lunch with another food allergy memoirist, interview for Beatrice.com at Random House, bloody mary with a fellow freelancer at Bubby's. First time in DUMBO. I stuffed the month's bills & checks into a postal box; some of them would disappear forever. Yusef Komunyakaa stood us up, so Thomas Sayers Ellis (bless his crazy brilliant heart) did his best Yusef impression. Late-night with the TC crew, where we literally pooled nickels and dimes to cover the six-person bill. Got dropped off at a subway stop that turned out to be closed; lost and intimidated by the men hanging out in the park, called my friend to come back, pick me up, drive me...around the corner. Where there turned out to be a perfectly functional subway stop, albeit one where I walked nine blocks on the Manhattan end. Watered my uncle's plants, his one request. Set my alarm for 5 AM to drive to BWI.


Got to Baltimore and flew to Atlanta. Rented a car and drove to Birmingham, to crash on the couch of a friend from Oxford days. Laughed a lot. Gossiped a little. Slept hard.  

Drove to Mississippi to "Experience Poetry in Vicksburg" on a Saturday afternoon. If being practical, this would have been the reading to cancel once committed to being in NYC two days earlier. But you just don't do that.And there turned out to be a library auditorium full of good people, a great conversation, an honorarium I didn't know about, every copy in my stock of all three titles sold by Lorelei Books, and garlic-stuffed olives I scarfed down by the handful at a fun reception (I know, I know--never kiss me). I went from crashing on a 20-something's couch to sleeping in a 20-foot ceilinged room in a B&B built in 1860. 

Next day: realizing my B&B had no pantry I headed to Anchuca, built in 1830, where I sipped sweet tea & gave the Southern chef a panic attack with my allergies. ("So...is this lactose intolerance?" "No. This is severe, deadly, no cheese no butter no nothing." "Oh. Just checking.") BBQ breakfast? Whatever works. I stood on a balcony once occupied by Jefferson Davis. Toured National Military Park, realizing my comment from the reading the day before while reading "Antietam"--about the anticlimactic nature of field trips to Civil War battlefields--applies to every town BUT this one. I looked down cannon barrels. I peered up at domes. I stood in the body of the U.S.S. Cairo. Vicksburg ain't kidding around. 

Stopped off in Jackson for campari (with grown-ups) and playing kitties (with a little'un). Note to self: when breaking up a drive, don't clear a mere hour on the first end, leaving six hours on the other end. Ate an entire bag of apple chips while trying to stay awake. That's the equivalent of five apples. Napped in a McDonald's parking lot off I-40 E. Rolled into Atlanta's Highland Inn at 2 AM.

Hid out at the Highland Inn. Had a very affirming phone call regarding the New York Times. Had a very alarming phone call regarding the New York Times. Couldn't absorb having something fall through before I'd even laid in my own bed to daydream about it. Bought myself a ring. Bought a Father's Day gift. Went to dinner at Doc Chey's with a poet friend. Restless, wandered out to hear stand-up in Little Five Points. Was asked by a man on the street: "Do you think you know poetry? Because I can show you poetry." 

The next morning I migrated from the boho charms of the Highland Inn (burned out light bulbs) (scavenging Folger's coffee and an unripe banana every morning) to the luminous beauty of SCAD's Ivy Hall (chandelier) (fridge stocked with juice and San Pellegrino). Turned on computer; demoralized by number of unread emails; turned off computer. Led a workshop on "Projecting Your Voice on the Page." Tried to look pretty for the photographer despite having only had two baths in a week. Reading. Dinner ambush: a salad in which the squash I'd okayed did its finest cucumber impression. Beers at Manuel's Tavern with three poets. Arguing over the Decatur Book Festival, bluffing about the future of bookselling, commiserating over the job market.


Got up, flew home to BWI, discovered my car battery had gone dead in the airport parking lot. Got a jump. Needed to drive home, fast, and work. Drove home, ate an entire bag of roasted peanuts, and watched three episodes of Gossip Girl. 


Thursday. Had to be in Vienna, Virginia, by 10 AM to lead a discussion for the "Writing Your Personal History" symposium. Made it by 10:03. Was so busy signing books at the lunch break that I ate my embarrassingly fragrant basil-chicken with a plastic fork while hunkered down against a wall during the next presenter's talk. Dashed to my folks' house nearby so I could take a 3 PM conference call for being a judge at this year's Poetry Out Loud semifinals. Alice Quinn recited her office number over the line and I resisted the urge to jot it down. Another phone call that resurrected my hope in the New York Times gig. Sat on the deck with my mom and tried, helplessly and haphazardly, to catch up. Drove on to DC just in time to catch Philip Levine give his closing address as Poet Laureate at the Library of Congress. Waved to Ron Charles of the Washington Post. He didn't recognize me until I teased him about it over Twitter the next day. 


On Friday, May 4, it turns out I won the Larry Neal Writers' Award from the DC Commission on the Arts and Humanities. I wasn't there to accept, to my eternal regret. Where I was--and where I know I needed to be--was in Great Falls, at my mother's first open studio for a solo art show in over two decades. 

That's my mom. She is amazing. 


So I didn't even know I'd won. I didn't know until I got an email from one of the other finalists that arrived Saturday night. May 5. My birthday--and the unholy extravaganza known as Cinco de Sandra. I had woken to an entire day spent shopping for beer, bottles of water, chips, pretzel goldfish, gummi worms, tablecloths, flowers...and a fancy dress because damn it, I haven't bought a single item of clothing in over a year. I got out the construction paper and the rubber cement, made five small signs and one big one. At 7 PM we got access to a space that had to be ready by 8 PM. A man came up and said "I love your work," and I asked him if he could help assemble a table. A man walked up and said "Happy Birthday," handed me a mini bottle of Knob Creek, and walked away without ever telling me his name. 


We came. We hustled. We jimmied tech hook-ups and poured chips and crammed flowers into water. We mingled (well, everyone else did; I dervished). There was an amazing DJ. We read. We projected comix. We laughed. My sister bartended with style. Eric ran a half-mile to get five extra bags of ice. I saw students, old friends, writers, strangers. I said to my sister "I'm going to read a dirty poem, don't listen." And by midnight we had to be packed up and cleared out. 

This life moves so fast. I say that with neither pride nor self-pity; I know better than to think it will always be this way. I say that with wonderment. Some days, I worry that a life moving so fast won't allow anyone to get close enough to love me. Then comes a day when I stand in a room with 70 people singing "Happy Birthday," and my heart is filled to bursting. 

Brooklyn

Manhattan

Birmingham

Vicksburg

Jackson

Atlanta

Washington, DC


Eleven days. Six readings. That's what I've been up to lately.

Thomas Reiter: �My Grandmother�s Journey, 1891�

The VPR Poem of the Week is Thomas Reiter�s �My Grandmother�s Journey, 1891,� which appeared in the Spring/Summer 2011 issue (Volume XII, Number 2) of Valparaiso Poetry Review.

Thomas Reiter�s most recent book of poems, Catchment, was published in 2009 by LSU Press.  He has received an Academy of American Poets Prize as well as fellowships from the NEA and the New Jersey State Council on the Arts.

Tuesday of each week One Poet�s Notes highlights an excellent work by a poet selected from the issues of Valparaiso Poetry Review, except when other posts with news or updates preempt the usual appearance of this item, with the recommendation that readers revisit it.

Photo Friday: "Nineteenth-Century Farmhouse"

I remind all interested that many of my photographs are available at a daily photo blog, which I began at the start of the year. I invite everyone to visit the blog and to click on the photographs to examine them in high resolution or to magnify them for a detailed look.

Announcement: Publication of Summer 2012 Issue of VFR

I am delighted to announce release of the Summer 2012 issue of Valparaiso Fiction Review,the national (international) literary journal published by the Department of English and Christopher Center for Library and Information at Valparaiso University. This issue of the journal contains compositions of short fiction by David Meischen, Megan M. Erwin, Susan Solomon, Marysa LaRowe, Corey Mertes, Amie Whittemore, and Joe Ponepinto. The cover image of the new issue also exhibits a photograph of mine that represents a farewell tribute to Huegli Hall, the building where I have had my office the past 25 years, editing Valparaiso Poetry Review and Valparaiso Fiction Review. Its service will end this month as many of the departments in Arts and Sciences move to a newly constructed office building, and Huegli Hall will be demolished.

I would like to take this opportunity to thank the assistant editors for this issue: Emily Bahr, Ethan Grant, Juliana Kapetanov, Gregory Maher, Mary Morales-Rivera, Rob Onofrey, Ellen Orner, Jeremy Reed, Ian Roseen, and Rebecca Werner. I wish great success in the future for those graduating seniors among the student editors. I also appreciate the wonderful work of co-editor Jon Bull, especially for his expertise on electronic publishing, responsible for the online appearance of VFR. 

Jon and I invite everyone to examine this second issue of VFR to read the fine stories, and we encourage all to pass along word to others who might be interested. In addition, I remind authors that VFR is now considering submissions for the Winter 2012 issue. 

Note: if possible, I believe the journal is best viewed in the Google Chrome of Safari browsers:

http://scholar.valpo.edu/vfr/